By Chiara Spagnoli Gabardi
The Women Film Critics Circle is an association of 65 women film critics and scholars from around the country and internationally, who are involved in print, newswire, radio, online and TV broadcast media. The WFCC started in 2004 to form the first women critics organisation in the United States, in the belief that women’s perspectives and voices in film criticism need to be recognised fully. Listen to the Broadcast of the Awards Ceremony:
http://audioport.org/audioport_files/pmiller@wbai.org/608_1-1_20131218_66378.mp3
After a colourful list of nominations here are 2013’s Awards:
BEST MOVIE ABOUT WOMEN Philomena
RUNNER UP Mother Of George
BEST MOVIE BY A WOMAN Enough Said, Nicole Holofcener
RUNNER UP Inch Allah, Anaïs Barbeau-Lavalette
BEST WOMAN STORYTELLER [Screenwriting Award] Julie Delpy: Before Midnight
RUNNER UP Nicole Holofcener, Enough Said
BEST ACTRESS Judi Dench: Philomena
RUNNER UP Barbara Sukowa: Hannah Arendt
BEST ACTOR Chiwetel Ejiofor: 12 Years A Slave
RUNNER UP Michael B. Jordan: Fruitvale Station
BEST YOUNG ACTRESS Onata Aprile: What Maisie Knew
RUNNER UP Waad Mohammed: Wadjda
BEST COMEDIC ACTRESS Melissa McCarthy: The Heat
RUNNER UP Greta Gerwig, Frances Ha
BEST FOREIGN FILM BY OR ABOUT WOMEN Wadjda
RUNNER UP Inch Allah
BEST FEMALE IMAGES IN A MOVIE Philomena
RUNNER UP Girls In The Band
WORST FEMALE IMAGES IN A MOVIE The Bling Ring
RUNNER UP Machete Kills
BEST MALE IMAGES IN A MOVIE 12 years A Slave: Chiwetel Ejiofor
RUNNER UP Enough Said: James Gandolfini
WORST MALE IMAGES IN A MOVIE Only God Forgives
RUNNER UP Out Of The Furnace
BEST THEATRICALLY UNRELEASED MOVIE BY OR ABOUT WOMEN Hellen Mirren in Phil Spector
RUNNER UP Pussy Riot: A Punk Prayer
BEST EQUALITY OF THE SEXES Before Midnight
RUNNER UP Enough Said
BEST ANIMATED FEMALES Frozen
RUNNER UP The Croods
BEST FAMILY FILM The Wind Rises
RUNNER UP Black Nativity
WOMEN’S WORK / BEST ENSEMBLE Ginger & Rosa
RUNNER UP TIE Winnie Mandela
August: Osage County
SPECIAL MENTION AWARDS
LIFETIME ACHIEVEMENT AWARD
EMMA THOMPSON: For her eclecticism in switching from period films to fantasy genre, to contemporary settings. And embodying all kinds of women with raw and pure interpretations.
ACTING AND ACTIVISM AWARD
CHARLIZE THERON: For her work for The Global Fund, and for starting the Charlize Theron Africa Outreach Project. Which educates young people about HIV/AIDS
COURAGE IN FILMMAKING: LAURA POITRAS For bringing the Edward Snowden NSA revelations to light, driven into exile in Germany for doing so, and currently making a documentary about it.
*ADRIENNE SHELLY AWARD: For a film that most passionately opposes violence against women
Augustine
RUNNER UP: Lovelace
*JOSEPHINE BAKER AWARD: For best expressing the woman of color experience in America
12 Years A Slave
RUNNER UP: Go for Sisters
*KAREN MORLEY AWARD: For best exemplifying a woman’s place in history or society, and a courageous search for identity
Winnie Mandela
RUNNER UP Wadjda
COURAGE IN ACTING [Taking on unconventional roles that radically redefine the images of women on screen] Soko: Augustine
THE INVISIBLE WOMAN AWARD [Performance by a woman whose exceptional impact on the film dramatically, socially or historically, has been ignored] Sandra Bullock: Gravity
BEST DOCUMENTARY BY OR ABOUT WOMEN Stories We Tell
RUNNER UP Girls In The Band
BEST SCREEN COUPLE Before Midnight: Julie Delpy and Ethan Hawke
BEST SONG Would You Bleed For Love. Jennifer Hudson, Winnie Mandela
MOMMIE DEAREST WORST SCREEN MOM OF THE YEAR AWARD
Kristin Scott Thomas: Only God Forgives
JUST KIDDING AWARD: Best Male Images In A Movie: Last Vegas
*WFCC HALL OF SHAME*
The Canyons: Women depicted as powerless and manipulative. Plus, the acting is horrid.
Spring Breakers: No depth, little plot and a pitiful depiction of today's college kids. Gratuitous in nothing more than flesh and violence. A grossly and dangerously skewed depiction of young women and their values in today's America.
Captain Phillips: The whole might of the USA coming down on 3 starving Somalis?! Repulsive. When the obscenely beefy SEALS arrived and the audience started to cheer, I felt I was watching a 'macho' director brainwash audience members into blindly accepting the worst stereotypes of jingoistic male behavior.
Blue is the Warmest Color: I went in knowing almost nothing except general buzz but I hated the sex scenes which were way too long and midway thru I couldn’t wait to flee the theater. Coming out I read how many takes Kechiche required and I was thoroughly repulsed. Who was this for? Then I read the graphic novel and discovered that critical plot points were deleted. Like the fact that Adele’s parents find her in bed with Emma which is why she has to move out — and I was enraged. A three hour movie, and Kechiche is so busy salivating over his actresses that he can’t bother telling a coherent story. Hype for this film makes me nauseous!
Blue is the Warmest Color: It's so obvious a dude with a fetish directed this, it's not only unappealing, it's creepy. His overcompensating hubris isn't worth the praise this is receiving.
Bastards, Les Salauds: All of the women in this film are depicted as complicit in their own oppression and exploitation. Though it’s a patriarchal system that they exist within, they refuse to fight for themselves or each other, even when a minor is involved. The indictment then is not of the men but of the women. I found this problematic and disappointing from Denis.
Gravity: The women in this group make meaningful choices each year so they speak for me in these areas, the lone exception being Sandra Bullock's performance in Gravity. She's a fine actress, but I found the character to be whiny, cowardly, and full of the wrong stuff – a damsel in distress who needed a man (even if it was just her imagination) to pull her out of danger. I can hardly believe they'd send someone so panicky into space. Give me Sigourney Weaver any day.
Dallas Buyers Club: Shame on Dallas Buyers Club for completely ignoring the LGBT as a group who drove the fight against AIDS to the forefront. The only time gays were mentioned was to let Matthew McConaughey's homophobic redneck character get a laugh at the expense of Jared Leto's transsexual character. The film made it seem as if the whole AIDS community stood on the shoulders of Ron Woodruff when in fact, groups like Act Up were starting the war for proper testing and more drugs way before Ron entered into the picture. It completely demeaned the backdrop Dallas Buyers Club was utilizing for their own characterizing “hero” agenda. Also the film took an extreme opinion against the AZT drug in favor for a plot line when in fact it was helping some patients. The only saving grace was Jared Leto's fantastic performance but unfortunately it wasn't enough.
Enough Already: Why is it that when actresses and even screen goddesses hit a certain age, they're all cast as nags and shrews. No matter how accomplished any of these films may be, the tally of older actress shrewish nags on board is really high this year, as usual. Including Oprah Winfrey in The Butler, Meryl Streep and Julia Roberts in August: Osage County, Cate Blanchett and Sally Hawkins in Blue Jasmine, June Squibb in Nebraska, Kristin Scott Thomas in Only God Forgives, and Julianne Moore in Carrie. Refreshing exceptions being Judi Dench in Philomena, Yolonda Ross in Go For Sisters, and Mary Steenburgen in Last Vegas.
*Please Note: The WFCC Top Ten Hall Of Shame represents the ‘don’t tell me to shut up’ sidebar contribution of individual members, and does not necessarily reflect the opinions of the entire Circle. Or may even dissent from an awarded nomination. Also, members may be objecting to particular characters in a film, and not the entire movie. Clarification: If an aspect of the movie is intentionally negative to make a point, rather than offensive, that is not under consideration for this category.
*ADRIENNE SHELLY AWARD: Adrienne Shelly was a promising actress and filmmaker who was brutally strangled in her apartment in 2006 at the age of forty by a construction worker in the building, after she complained about noise. Her killer tried to cover up his crime by hanging her from a shower20rack in her bathroom, to make it look like a suicide. He later confessed that he was having a “bad day.” Shelly, who left behind a baby daughter, had just completed her film Waitress, which she also starred in, and which was honored at Sundance after her death.
*JOSEPHINE BAKER AWARD: The daughter of a laundress and a musician, Baker overcame being born black, female and poor, and marriage at age fifteen, to become an internationally acclaimed legendary performer, starring in the films Princess Tam Tam, Moulin Rouge and Zou Zou. She also survived the race riots in East St. Louis, Illinois as a child, and later expatriated to France to escape US racism. After participating heroically in the underground French Resistance during WWII, Baker returned to the US where she was a crusader for racial equality. Her activism led to attacks against her by reporter Walter Winchell who denounced her as a communist, leading her to wage a battle against him. Baker was instrumental in ending segregation in many theaters and clubs, where she refused to perform unless integration was implemented.
*KAREN MORLEY AWARD: Karen Morley was a promising Hollywood star in the 1930s, in such films as Mata Hari and Our Daily Bread. She was driven out of Hollywood for her leftist political convictions by the Blacklist and for refusing to testify against other actors, while Robert Taylor and Sterling Hayden were informants against her. And also for daring to have a child and become a mother, unacceptable for female stars in those days. Morley maintained her militant political activism for the rest of her life, running for Lieutenant Governor on the American Labor Party ticket in 1954. She passed away in 2003, unrepentant to the end, at the age of 93.
The Women Film Critics Circle Members
THELMA ADAMS
Yahoo! Movies
AMY BIANCOLLI
Houston Chronicle, San Francisco Chronicle, San Antonio Express-News, Albany Times Union/Hearst Newspapers
KAREN BUTLER
UPI, The Irish Echo
SARA STEWART
New York Post
AMANDA MEYNCKE
Seattle Post Intelligencer, Film.com
KAREN BENARDELLO
Shockya.com, Wegotthiscovered.com, Yahoo! Voices
NIKI CRUZ
Filmmaker Magazine, Interview Magazine, Paste Magazine, PopMatters, The Rumpus, The Inquisitr
MONICA CASTILLO
Boston Phoenix, Bitch Magazine, Film Geek Radio, Paste Magazine, Cinema Fix, DigBoston.com
CYNTHIA PARSONS MCDANIEL
NY Daily News, Shortandsweetnyc.com, Times of London
MARIA ESTEVEZ
GQ Magazine, Vogue, Cinerama Spain
ROSE CAPP
Senses Of Cinema
FELICIA FEASTER
New York Press, Creative Loafing Atlanta, The Atlantan, Charleston City Paper
ANNETTE INSDORF
Director of Film Studies, Columbia University; Reel Pieces, 92nd Street Y, Arts Express Syndicate
AMY LONGSDORF
Bergen Record, Toronto Star, Philadelphia Weekly, Camden Courier Post
MOLLY HASKELL
NY Observer, The Nation, Currents
CATHERINE BRAY
Channel 4 Film, Guardian, Observer, The New Statesman
MARY ELIZABETH WILLIAMS
Salon.com, WNYC/NPR Radio
SHAYNA SMITH
BET/ Westwood One Radio Network
MICHELE MANIELIS
Vogue, Marie Claire, News Ltd Australia
KIM NICOLINI
CounterPunch
PENELOPE ANDREW
Huffington Post, Bright Lights Film Journal, Arts Express Syndicate, WestView News
CHRISTY LEMIRE
Associated Press, CNN Network
TARA KAYE JUDAH
Triple R FM Radio, Australia, JOY FM Radio, Metro, Screen Hub, Senses of Cinema
TERRA KING
Examiner.com
SHELLEY WADE
Z100/ Kiss108 FM; Clear Channel Radio
AUDREY MARIE BROWN
Ain’t It Cool News, Geek Monthly
SIKIVU HUTCHINSON
Blackfemlens.org, LA Watts Times, KPFK Radio, Los Angeles
SANDRA VARNER
Contra Costa Times, San Francisco Chronicle, Oakland Globe Newspaper, Cafe Mocha Radio Syndicate
LISA COLLINS
DCTV-New York, Arts Express Radio Syndicate
LOGAN NAKYANZI POLLARD
UK Guardian, ABC Television, Huffington Post
DONNA MORAN
AP Radio/People Radio/CBS Radio
YUKI SARUWATARI
Elle Japan, GQ Japan, Weekly Pia, More (Japan)
MICHELLE ORANGE
Village Voice, TheReeler.com, Movieline
PRAIRIE MILLER
WBAI/Pacifica National Radio Network; Arts Express Radio Syndicate; Indiewire/Criticwire; Newsblaze Wire, LI Press; From The Women’s Desk
KARINA LONGWORTH
LA Weekly, Vanity Fair, The Daily Beast
ELLE CASTRO
WBLS Radio; AllHipHop.com
JOY ROSE
Mamapalooza On Film, Don’t Tell Me To Shut Up Radio, Housewives On Prozac
IZUMI HASEGAWA
Hollywood News Wire, Buzzine
JUDY THORBURN
Las Vegas Tribune, TheHollywoodNews.com, TheFlickChicks.com
WINNIE BONELLI
The Independent, Newark Star-Ledger, Life & Style Magazine, Herald News
DIANNE BROOKS
The Film Files, Writemovies.com
DEBRA WALLACE
British Foreign Press Association, New York Cool, British Cosmo, Time Out Moscow, Pop Culture Madness
CYNTHIA LUCIA
Cineaste Magazine
JUDYTH PIAZZA
American Perspective Radio, The Student Operated Press; EWorld Wire, Sebastian Sun, Women’s Independent Press, Association of Women in Communications, WWCI TV 10 Anchor; WTTB Radio 1490-AM, Florida
KRISTIN DREYER KRAMER
Women’s Independent Press, NightsAndWeekends.com, Fat Guys At The Movies, On The Marquee, WCBE 90.5 FM Columbus, Ohio
MAX WEISS
Baltimore Magazine, WBAL TV and Radio, Baltimore
EDIE NUGENT
Cinemovie, Arts Express Syndicate
KAMAL LARSUEL
On the Real Radio with Chuck D and Giana Garel; 3BlackChicks.com, Seattle
CHIARA SPAGNOLI GABARDI
King’s Road Magazine, British Foreign Press Association, Filmagazine (Italy), Shockya, PMc Magazine
ELOISE PARKER
OK! Magazine, NY Daily News, Premiere Showbiz, Metro Newspapers, The Press Association, IC Network, The Belfast Telegraph, The Newcastle Journal, The Birmingham Post and the Bristol Evening Post
S. JHOANNA ROBLEDO WADE
Common Sense Media, MSNBC.com, NY Magazine
JAN LISA HUTTNER
TheHotPinkPen.com; Films For Two; WomenArts.org
JACQUELINE MONAHAN
Cineholics.com, TheFlickChicks.com, WebSeriesCon.com
ENEIDA DELVALLE
NY Post: Tempo, Latino News; Viva Voz, V-Me TV Network
CASSANDRA HENRY
3BlackChicks.com, New Orleans
ROSE PACATTE
Sister Rose Goes To The Movies
NANCY KEEFE RHODES
Stone Canoe Journal
MARIE MOORE
EurWeb.com, The Daily Challenge, The New York Beacon
AUDREY BERNARD
Radioscope; Audrey’s Whirl-TV; Editor, EUR; Arts Editor, Harlem News Group
MELISSA WALTERS
Blackfilm.com
ANNE RASO
Today’s Black Woman, Black Noir, Word Up, Teen Drean, Jam Rock, Movie Magic, Black Men Magazine
JUDITH PASTERNAK
The Indypendent Newspaper
JAN AARON
Education Update
BREE PERLMAN
Austin Daze Magazine
DOMINGA MARTIN
Creme-Magazine.com, Glam.com, Urban Thought Collective